Culture Crossroads
Journal of the Research Centre at the Latvian Academy of Culture

Culture Crossroads is an international peer-reviewed journal published by the Research Centre of the Latvian Academy of Culture. The goal of Culture Crossroads is to develop and expand theoretical and methodological approaches to the research of art and creativity with emphasis on the potential of a variety of disciplines and interdisciplinarity. The main focus of the publication is on the interaction of cultural, artistic and creative processes as well as the synergy between them and other domains of national economy, politics and social life. It is targeted on the most topical issues and discussion points in culture studies and arts. The publication is open to research in the fields of ethnology, theory of culture, semiotics, cultural anthropology, museology, cultural heritage, management of culture, sociology of culture and art, cultural economics (including creative industries), cultural politics, audio-visual art, performing arts, dance, theory of literature, musicology, law, linguistics, or other domains of culture studies and arts.


Culture Crossroads, vol.14 (2019)

Editorial

CONTENT

INTRODUCTION

Prof., Dr.art. Inga Pērkone Redoviča, Bc.art. Dārta Ceriņa

Articles

Centenary of Latvia Through the Eyes of a Child

Dr.art. Dita Rietuma

ALTERNATE HISTORIES AS GATEWAYS TO THE FUTURE

PhD Anneli Saro

THEATRE AS COUNTER-HISTORY IN ESTONIA: THE CASE OF “BB AT NIGHT”

PhD Hedi-Liis Toome

LUMINOUS AMBUSH: SEIZING THE HISTORICAL EXPERIENCE OF CATASTROPHE THROUGH FILM

PhD William Guynn

ANSIS EPNERS’ FILM “ALIVE”: FROM DOCUMENTARY TO FICTION

Mag. art. Zane Balčus

CINEMATIC SHIFT FROM THE FRONT TO THE BACKGROUND. LANDSCAPE IN A POST WORD ERA

Audrius Stonys

DOCUMENTARY DISCOURSE: COGNITIVE AND PHENOMENOLOGICAL REFLECTIONS ON MATTERS OF REMEMBERING AND AUDIO-VISUAL MEMORY

PhD Jarmo Valkola

SCREENING SPACE IN FILM ADAPTATIONS OF ESTONIAN HISTORICAL FICTION: “THE LAST RELIC” (1969) AND “BETWEEN THREE PLAGUES” (1970)

PhD Eva Näripea

TAKING THE ACTORS SERIOUSLY: MICHIEL VANDEVELDE’S “PARADISE NOW (1968–2018)”

Joe Kelleher

TRUE DRAMATURGY VS. FICTIONAL AUTOBIOGRAPHY

Matīss Gricmanis

“BAŅUTA”, THE FIRST OPERA IN LATVIAN AND ITS LIBRETTO AS A HISTORICAL NARRATIVE IN THE CONTEXT OF STAGING HISTORY

Dr. art. Jānis Kudiņš

MICHAEL CHEKHOV, SPIRITUALITY AND SOVIET THEATRE

PhD Liisa Byckling

ISSN: 2500-9974