Culture Crossroads, vol.7 (2015)

Editorial

CONTENT

INTRODUCTION

Dr.art. Rūta Muktupāvela, Dr.sc.soc. Anda Laķe,

Articles

LIEZĒRE RUNESTONE

Juris Urtāns

THE COMMUNICATIVE DIMENSION OF TRADITION: PRESERVATION, INHERITING, INSTANTIATION IN USE

Māra Mellēna

THE SIGNIFICANCE OF PERSONALITY IN DEFINING AND REALISATION OF THE ROLE OF A MUSEUM: A CASE STUDY OF TUKUMS MUSEUM (1953–1960)

Agrita Ozola

DIMINISHING OF TRAFFICKING OF CULTURAL OBJECTS PER ASPERA AD ASTRA

Andris Kairišs

DEVELOPMENT AND UNDERSTANDING OF THE CONCEPT OF CULTURE AND CREATIVE INDUSTRIES IN LATVIA

Dārta Dīvāne

CHALLENGES FOR A 21st CENTURY CULTURAL ORGANISATION: CULTURAL ENTREPRENEURSHIP

Ieva Zemīte

MEASURING SOCIAL AND ECONOMIC IMPACT OF LARGE SCALE CULTURAL EVENTS: A SOCIAL NETWORK ANALYSIS

Anda Laķe, Baiba Tjarve, Līga Grīnberga

ACTUALISATION OF CREATIVITY IN THE LATVIAN LABOUR MARKET: CREATIVE PERSONS AND EDUCATION

Agnese Treimane

IN SEARCH OF IDENTITY IN THE RUINS OF THE PROJECT OF OFF-MODERNITY

Liena Galēja

A TEAR ON THE CHEEK: IN SEARCH OF EDUARDS PĀVULS’SJ151 ACTING CODE

Inga Pērkone

RECEPTION OF SHAKESPEARE IN SOVIET LATVIA: OĻĢERTS KRODERS’S INTERPRETATIONS

Vēsma Lēvalde

STAGE SPEECH IN THE LATVIAN THEATRE: DEFINITION, FUNCTIONS AND TERMINOLOGY ASPECTS

Zane Daudziņa

JURIS KARLSONS’S DANCE THEATRE: THE BALLET “KARLSSON FLIES ...”

Andris Vecumnieks

TRANSFORMATION OF STAGE GESTURE IN THE LATVIAN THEATRE IN MODERNISM: THE HISTRIONIC AND THE VERISIMILAR AS GESTURE CHARACTERISTICS AT THE BEGINNING OF THE 20th CENTURY

Rita Lūriņa

PRINCIPLES OF ACTING AT THE DAILE THEATRE AND MODERNISM (1920s–1930s): FELICITA ERTNERE’S CONTRIBUTION TO THE DEVELOPMENT OF MOVEMENT LANGUAGE

Ieva Rodiņa

MĪLA CĪRULE: A LATVIAN IN THE WORLD OF MODERN DANCE

Valda Vidzemniece

DISCURSIVE DIVERGENCES BETWEEN FILM MEDIUM AND HISTORICAL SCIENCE

Dāvis Sīmanis

SHAKESPEARIAN MAN IN THE CONTEXT OF RENAISSANCE IDEAS

Zane Šiliņa

VISUALISATION OF THE HUMAN BEING IN PERIODICALS “PAGALMS”, “ROTA”, “AUSTRUMS”, AND “MĀJAS VIESA MĒNEŠRAKSTS” IN THE 1880s AND 1890s

Zane Grigoroviča

THE IMAGE OF THE VAMPIRE IN WORLD AND LATVIAN LITERATURE

Bārbala Simsone

THE SYMBOLIC AND THE SEMIOTIC IN VIZMA BELŠEVICA’S POETICS

Anna Auziņa

METONYMIES AND METAPHORS: IMAGES OF THE SEAT BELT AND NUMBER PLATE

Elīna Veinberga

CULTURAL DIFFERENCES IN TEXT FORMATION IN RESEARCH PAPERS/ORGANISATION

Laila Niedre

AN INTERPRETATION OF A HISTORICAL PERSON: MAURICE MAETERLINCK IN THE LATVIAN LITERARY TEXT

Simona Sofija Valke

ISSN: 1691-3019