Kultūras Krustpunkti, 14.izdevums (2019)

Ievads

CONTENT

INTRODUCTION

Prof., Dr.art. Inga Pērkone Redoviča, Bc.art. Dārta Ceriņa

Raksti

Centenary of Latvia Through the Eyes of a Child

Dr.art. Dita Rietuma

ALTERNATE HISTORIES AS GATEWAYS TO THE FUTURE

PhD Anneli Saro

THEATRE AS COUNTER-HISTORY IN ESTONIA: THE CASE OF “BB AT NIGHT”

PhD Hedi-Liis Toome

LUMINOUS AMBUSH: SEIZING THE HISTORICAL EXPERIENCE OF CATASTROPHE THROUGH FILM

PhD William Guynn

ANSIS EPNERS’ FILM “ALIVE”: FROM DOCUMENTARY TO FICTION

Mag. art. Zane Balčus

CINEMATIC SHIFT FROM THE FRONT TO THE BACKGROUND. LANDSCAPE IN A POST WORD ERA

Audrius Stonys

DOCUMENTARY DISCOURSE: COGNITIVE AND PHENOMENOLOGICAL REFLECTIONS ON MATTERS OF REMEMBERING AND AUDIO-VISUAL MEMORY

PhD Jarmo Valkola

SCREENING SPACE IN FILM ADAPTATIONS OF ESTONIAN HISTORICAL FICTION: “THE LAST RELIC” (1969) AND “BETWEEN THREE PLAGUES” (1970)

PhD Eva Näripea

TAKING THE ACTORS SERIOUSLY: MICHIEL VANDEVELDE’S “PARADISE NOW (1968–2018)”

Joe Kelleher

TRUE DRAMATURGY VS. FICTIONAL AUTOBIOGRAPHY

Matīss Gricmanis

“BAŅUTA”, THE FIRST OPERA IN LATVIAN AND ITS LIBRETTO AS A HISTORICAL NARRATIVE IN THE CONTEXT OF STAGING HISTORY

Dr. art. Jānis Kudiņš

MICHAEL CHEKHOV, SPIRITUALITY AND SOVIET THEATRE

PhD Liisa Byckling

ISSN: 2500-9974