BEYOND AUDIT CULTURE: A RHIZOMATIC APPROACH TO EVALUATING CULTURAL IMPACT
DOI:
https://doi.org/10.55877/cc.vol32.580Keywords:
audit culture, cultural policy, socio-cultural centres, qualitative evaluation, ethnography, rhizomatic methods, impact assessmentAbstract
The dominance of audit culture in cultural policy has led to evaluating socio-cultural centres primarily through quantifiable metrics, obscuring their relational and process-based forms of impact. This study critically examines conventional assessment frameworks and proposes Rhizomatic Impact Evaluation, an anthropologically informed, qualitative approach inspired by Deleuze and Guattari’s concept of the rhizome. Drawing on ethnographic research with the European Network of Cultural Centres (ENCC), including interviews, surveys, and participatory workshops, I show how practitioners strategically navigate and resist imposed evaluation models by developing informal, alternative assessment practices. Findings illustrate how cultural impact emerges non-linearly through community narratives, adaptive collaborations, and social transformations, dimensions largely invisible in standard reporting. Rather than advocating for a singular paradigm shift, this article offers Rhizomatic Impact Evaluation as a methodological alternative, integrating relational, participatory, and context-sensitive methodologies that can coexist with conventional metrics and align evaluation more closely with the lived complexity of socio-cultural practices.
Downloads
References
Appadurai, A. (1996). Modernity at large: Cultural dimensions of globalization. University of Minnesota Press.
Bakhshi, H., Freeman, A., & Higgs, P. (2013). A dynamic mapping of the UK’s creative industries. Nesta. Available: https://pec.ac.uk/publications/a-dynamic-mapping-of-the-uks-creative-industries
Belfiore, E. (2002). Art as a means of alleviating social exclusion: Does it really work? A critique of instrumental cultural policies in the UK. International Journal of Cultural Policy, 8(1), 91–106. https://doi.org/10.1080/102866302900324658
Belfiore, E., & Bennett, O. (2008). The social impact of the arts: An intellectual history. Palgrave Macmillan.
Bergold, J., & Thomas, S. (2012). Participatory research methods: A methodological approach in motion. Forum Qualitative Sozialforschung / Forum: Qualitative Social Research, 13(1). https://doi.org/10.17169/fqs-13.1.1801
Bourdieu, P. (1984). Distinction: A social critique of the judgement of taste (R. Nice, trans.). Harvard University Press.
Charmaz, K. (2006). Constructing grounded theory: A practical guide through qualitative analysis. Sage.
Connell, R. (2007). Southern theory: The global dynamics of knowledge in social science. Polity Press.
Daniels, A. K. (1987). Invisible work. Social Problems, 34(5), 403–415. https://doi.org/10.2307/800538
Deleuze, G., & Guattari, F. (1987). A thousand plateaus: Capitalism and schizophrenia (B. Massumi, trans.). University of Minnesota Press.
DeVault, M. L. (2014). Mapping invisible work: Conceptual tools for social justice projects. Sociological Forum, 29(4), 775–790. https://doi.org/10.1111/socf.12127
Fetterman, D. M. (2010). Ethnography: Step-by-step (3rd ed.). Sage.
Florida, R. (2002). The rise of the creative class. Basic Books.
Foucault, M. (1977). Discipline and punish: The birth of the prison (A. Sheridan, trans.). Pantheon Books.
Geertz, C. (1973). The interpretation of cultures. Basic Books.
Hebinck, A., Diercks, G., von Wirth, T., Beers, P. J., Barsties, L., Buchel, S., Greer, R., Van Steenbergen, F., & Loorbach, D. (2022). An actionable understanding of societal transitions: The X-Curve framework. Sustainability Science, 17(4), 1009–1021. https://doi.org/10.1007/s11625-021-01084-w
Hesmondhalgh, D. (2013). The cultural industries (3rd ed.). Sage.
Lincoln, Y. S., & Guba, E. G. (1985). Naturalistic inquiry. Sage.
Marcus, G. E. (1995). Ethnography in/of the world system: The emergence of multi-sited ethnography. Annual Review of Anthropology, 24, 95–117.
Matarasso, F. (1997). Use or ornament? The social impact of participation in the arts. Comedia.
O’Connor, J. (2024). Culture is not an industry: Reclaiming art and culture for the common good. Manchester University Press.
Power, M. (1997). The audit society: Rituals of verification. Oxford University Press.
Pratt, A. C. (2008). Creative cities: The cultural industries and the creative class. Geografiska Annaler: Series B, Human Geography, 90(2), 107–117. https://doi.org/10.1111/j.1468-0467.2008.00281.x
Ranczakowska, A. M., & Fraioli, M. (2024). Just sustainability from the heart of communities: The transformative power of socio-cultural centres. European Network of Cultural Centres. Available: https://encc.eu/articles/just-sustainability-from-the-heart-of-communities-the-transformative-power-of-socio-cultural-centres
Shore, C., & Wright, S. (1999). Audit culture and anthropology: Neo-liberalism in British higher education. Journal of the Royal Anthropological Institute, 5(4), 557–577. https://doi.org/10.2307/2661148
Shore, C., & Wright, S. (2024). Audit culture: How indicators and rankings are reshaping the world. Pluto Press.
Strathern, M. (2000). Audit cultures: Anthropological studies in accountability. Routledge.
Throsby, D. (2001). The value of culture: On the relationship between economics and cultural policy. Cambridge University Press.
White, M., & Robson, M. (2010). Participatory arts practice in healthcare contexts: Guidelines for good practice. Durham University & Centre for Medical Humanities.
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Culture Crossroads

This work is licensed under a Creative Commons Attribution 4.0 International License.